Quotes From "The Collected Tales Of Nikolai Gogol" By Nikolai Gogol

1
I've long suspected dogs of being much smarter than people; I was even certain they could speak, but there was only some kind of stubbornness in them. They're extraordinary politicians: they notice every human step. Nikolai Gogol
2
He was no stranger to compassion: his heart was open to many good impulses, though his rank often prevented their manifestation. Nikolai Gogol
3
That same moment he ordered the hateful portrait taken out. But that did not calm his inner agitation: all his feelings and all his being were shaken to their depths, and he came to know that terrible torment which, by way of a striking exception, sometimes occurs in nature, when a weak talent strains to show itself on too grand a scale and fails; that torment which gives birth to great things in a youth, but, in passing beyond the border of dream, turns into a fruitless yearning; that dreadful torment which makes a man capable of terrible evildoing. Nikolai Gogol
4
Beauty works perfect miracles. All inner shortcomings in a beauty, instead of causing repugnance, become somehow extraordinarily attractive; vice itself breathes comeliness in them; but if it were to disappear, then a woman would have to be twenty times more intelligent than a man in order to inspire, if not love, at least respect. Nikolai Gogol
5
Watch out, brother, ' his professor had told him more than once, 'you have talent; it would be a sin to ruin it. But you're impatient. Some one thing entices you, some one thing takes your fancy——and you occupy yourself with it, and the rest can rot, you don't care about it, you don't even want to look at it. Watch out you don't turn into a fashionable painter. Even now your colors are beginning to cry a bit too loudly. Your drawing is imprecise, and sometimes quite weak, the line doesn't show; you go for fashionable lighting, which strikes the eye at once. Watch out or you'll fall into the English type. Beware. You already feel drawn to the world: every so often I see a showy scarf on your neck, a glossy hat .. It's enticing, you can start painting fashionable pictures, little portraits for money. But that doesn't develop talent, it ruins it. Be patient. Ponder over every work, drop showiness——let the others make money. You won't come out the loser. Nikolai Gogol
6
Here you will meet singular side-whiskers, tucked with extraordinary and amazing art under the necktie, velvety whiskers, satiny whiskers, black as sable or coal, but, alas, belonging only to the foreign office. Providence has denied black side-whiskers to those serving in other departments; they, however great the unpleasantness, must wear red ones. Here you will meet wondrous mustaches, which no pen or brush is able to portray; mustaches to which the better part of a lifetime is devoted——object of long vigils by day and by night; mustaches on which exquisite perfumes and scents have been poured, and which have been anointed with all the most rare and precious sorts of pomades, mustaches which are wrapped overnight in fine vellum, mustaches which are subject to the most touching affection of their possessors and are the envy of passers-by. A thousand kinds of hats, dresses, shawls——gay-colored, ethereal, for which their owners' affection sometimes lasts a whole two days——will bedazzle anyone on Nevsky Prospect. . Nikolai Gogol
7
He disregarded everything, he gave everything to art. He tirelessly visited galleries, spent whole hours standing before the works of great masters, grasped and pursued a wondrous brush. He never finished anything without testing himself several times by these great teachers and reading wordless but eloquent advice for himself in their paintings. Nikolai Gogol
8
His whole being, his whole life was awakened in one instant, as if youth returned to him, as if the extinguished sparks of talent blazed up again. The blindfold suddenly fell from his eyes. God! to ruin the best years of his youth so mercilessly; to destroy, to extinguish the spark of fire that had perhaps flickered in his breast, that perhaps would have developed by now into greatness and beauty, that perhaps would also have elicited tears of amazement and gratitude! . Nikolai Gogol
9
Tomorrow at seven o'clock a strange phenomenon will occur: the earth is going to sit on the moon. This has also been written about by the noted English chemist Wellington. I confess, I felt troubled at heart when I pictured to myself the extraordinary delicacy and fragility of the moon. For the moon is usually made in Hamburg, and made quite poorly. I'm surprised England doesn't pay attention to this. It's made by a lame cooper, and one can see that the fool understands nothing about the moon. He used tarred rope and a quantity of cheap olive oil, and that's why there's a terrible stench all over the earth, so that you have to hold your nose. And that's why the moon itself is such a delicate sphere that people can't live on it, and now only noses live there. And for the same reason, we can't see our own noses, for they're all in the moon. Nikolai Gogol
10
This was no longer art: it even destroyed the harmony of the portrait itself. They were alive, they were human eyes! It seemed as if they had been cut out of a living man and set there. Here there was not that lofty pleasure which comes over the soul at the sight of an artist's work, however terrible its chosen subject; here there was some morbid, anguished feeling. 'What is it?' the artist asked himself involuntarily. 'It's nature all the same, its living nature——why, then, this strangely unpleasant feeling? Or else the slavish, literal imitation of nature is already a trespass and seems like a loud, discordant cry? . Nikolai Gogol
11
He never looks you straight in the eye; or if he does, it is somehow vaguely, indefinitely; he does not pierce you with the hawk's eye or the falcon's gaze of a cavalry officer. The reason for that is that he sees, at one and the same time, both your features and those of some plaster Hercules standing in his room, or else he imagines a painting of his own that he still means to produce. That is why his responses are often incoherent, not to the point, and the muddle of things in his head increases his timidity all the more. Nikolai Gogol
12
He was already beginning, as always happens at a respectable age, to take a firm stand for Raphael and the old masters——not because he was fully convinced of their lofty merit, but so as to shove them in the faces of young artists. Nikolai Gogol
13
..all this convinced him that he had come to one of those revolting havens where pathetic depravity makes its abode, born of tawdry education and the terrible populousness of the capital. One of those havens where man blasphemously crushes and derides all the pure and holy that adorns life, where woman, the beauty of the world, the crown of creation, turns into some strange, ambiguous being, where, along with purity of soul, she loses everything feminine and repulsively adopts all the mannerisms and insolence of a man, and ceases to be that weak, that beautiful being so different from us. Nikolai Gogol